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Moses Brown <[EMAIL PROTECTED]> wrote:
Krusty wrote:
"Mark van Pelt" <[EMAIL PROTECTED]> wrote
First, why single out DVDs? The same argument can be made for music CDs or cassettes, books, pictures, works of art, etc. One can ask whether one needs to "own" any of these things as long as there are rental services, libraries, museums, etc.
Art is an investment. Art will most likely appreciate. Art costs significantly more, and is geared towards an entirely different audience. You con't honestly compare owning a $3 million Rembrandt to owning a copy of the Special Platinum Edition Animal House DVD.
that $3 million Rembrandt isn't worth jack shit until someone pays you $3 million for it. Until then, it is just a fuckin' painting on the wall, yo.
And nobody knew you were an idiot, until you opened your mouth, Yo.
Second, perhaps a better question is to ask why does a person watch a video/DVD, listen to a CD/cassette/vinyl record, read a book, etc.? If all a person wants is a temporary diversion or amusement, then, yes, I agree, it doesn't make a lot of sense for a person to actually own a copy of a movie, a song, a symphony, etc. This is especially true if one isn't too particular about the content and will take whatever is currently popular or readily accessible. However, if a person has a somewhat more "serious" attitude towards the material or has somewhat "eccentric" tastes, I think that it makes sense to own copies of the works. For example, I'm a fan of Japanese movies, especially films by Akira Kurosawa and samurai movies. I haven't used Netflix or any other rental service but I have to wonder how good their coverage is of these areas (e.g., do they have the Zatoichi "Blind Swordsman" series?). Another example is silent films, such as Charlie Chaplin's and Buster Keaton. About 15 years or so ago most of Chaplin's films were cleaned up and re-released to celebrate the centennial of his birth. I picked them up and have watched each (about a dozen of them) several times, sometimes to just enjoy them, sometimes to study what Chaplin was doing in the film (since he usually not only acted but wrote,
directed,
edited, and provided the music). A comparable set of movies have just been released on DVD in the past few months which I plan on getting. Perhaps Netflix and other services might have these movies but I have a feeling that they may not or, if they do, have long waits associated with getting them. Some of these films may also no longer be available (e.g., some of Chaplin's short films were available on video but I haven't seen them on DVD yet).
So rent them. And watch them. And enjoy them. If you feel the need to buy them, so be it. Don't ask me to understand why.
Finally, there is an issue of convenience. I like having copies of classic films, books, etc., because I like being able to watch/read/etc something at a moment's notice. For example, if I'm reading a review or an analysis about a movie, such as Orson Welles' "A Touch of Evil", I may want to watch it immediately to check how the review/analysis jibes with the film ("A Touch of Evil" is significant in this regard because it was seriously edited/butchered in its original release [which is the commonly available version] and only recently was restored to a form that more closely follows Welles' notes for the movie). Another example which is more relevant to RSPW, having wrestling shows readily available allows me to check and review things that I might read in the Observer, Torch, or elsewhere. Having something like Meltzer and
Cornette's
"Before They Were Famous" allows me to see the early work of a number of wrestlers which allows me to better see what they were like at
different
points of their career.
Movies on Demand say hi, and there isn't a single "classic" movie or film that I need to see so badly I can't wait the requisite half hour to drive to the rental store and rent it fot the one time I might watch it this year.
VTY,
Johnny Carwash
[EMAIL PROTECTED]
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