
www.Usenet.com
| <-- __Chronological__ --> | <-- __Thread__ --> |
"Donn Cave" <[EMAIL PROTECTED]> wrote in message news:[EMAIL PROTECTED] > Quoth "Richard Knoppow" <[EMAIL PROTECTED]>: > ... > | Tilting the field can cause some geometrical distortion > | but it is different from that produced by shifting since we > | are usually still in the center of the field where shifting > | off-sets the center toward one side of the image. > | This is much easier to explain where one can draw pictures > | or demonstrate the effects. > > Verbal explanation is sure a problem, but maybe not as hard > as you're making it! I would put it like this (hm, was anyone > asking, or are we just explaining something we all know to each > other? Oh well!) In my explanation, there are two simple > things to consider: > > 1. Angle of film in relation to the subject. Normally > parallel to subject vertical, and the viewer naturally > expects this orientation. Hence, "correct" perspective > is achieved by maintaining this parallel relationship > despite an angle of view that may not be quite horizontal. > > 2. Angle of lens to film. Normally parallel, except to > achieve some manipulation of the normal depth of field. > > So back tilts are confusing and difficult because they affect > both, but I suspect a lot of great photos have been taken with > some judicious back tilt. In terms of perspective, it really > is the same as rise, and it sure makes more of a lens' coverage > limits. > > Donn When back AND front tilt are used together to get the back and lens parallel it is the equivalent of rise. The tilt available in some cameras can be combined with rise to get even more rise if you need it for some reason. -- --- Richard Knoppow Los Angeles, CA, USA [EMAIL PROTECTED]
| <-- __Chronological__ --> | <-- __Thread__ --> |