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Roland Hutchinson wrote: >Hans Aberg wrote: >> On the one hand, well-tempered tunings aims at playing well in several >> keys, as many as possible, but stick to rational intervals. (The idea >> goes back to the Ancient Greeks.) > >I don't get this. > >Certainly the vast majority of familiar well temperaments (e.g., >Vallotti, Werckmesiter III) as well as "semi-well" temperaments (such >as temperement ordinaire and varities of "modified meantone") use >irrational intervals. Well, I'm assuming that he meant that they "stick [as close as possible] to rational intervals." In other words, it was an attempt to balance "transposability" and acoustics; as contrasted with 12tET which lays fully on the transposability end of the scale. ------------- Brad Beyenhof
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