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Hans Aberg wrote: > On the one hand, well-tempered tunings aims at playing well in several > keys, as many as possible, but stick to rational intervals. (The idea > goes back to the Ancient Greeks.) I don't get this. Certainly the vast majority of familiar well temperaments (e.g., Vallotti, Werckmesiter III) as well as "semi-well" temperaments (such as temperement ordinaire and varities of "modified meantone") use irrational intervals. -- Roland Hutchinson Will play viola da gamba for food. NB mail to my.spamtrap [at] verizon.net is heavily filtered to remove spam. If your message looks like spam I may not see it.
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