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CD Review: Robert Earl Keen "Farm Fresh Onions" (Audium)



Robert Earl Keen "Farm Fresh Onions" (Audium)

Keen's latest is a varied affair, adding more rock and modern psychedelic touches to his basic country, folk and blues. One can applaud Keen for his willingness to stretch out, even if the results aren't always successful. The opening trio, "Furnace Fan," "All I Have Today" and "Out Here in the Middle" cut a rootsy line between the organ-and-guitar sounds of The Wallflowers and Chris Knight, and the Texas dancehall rowdiness of Jack Ingram. Shawn Colvin guests on the last of the three.

From there, the album takes several twists and turns. In some cases, Keen's
singing is simply outpaced by his songwriting. His thin voice finds a surprisingly good fit for the funky "Floppy Shoes," but the straight-ahead blues "So Sorry Blues" could use a voice that's either richer or more convincingly world-weary. The lengthy "Train Trek" suffers from a laid-back vocal that is overshadowed by the electric guitars. In contrast, the mournful "Famous Words," nicely plays Keen's voice against a solo, highly-reverbed electric six-string.

The album's title track throws a kitchen sink of styles at the phrase "Farm Fresh Onions.". Think of The Hombres "Let It All Hang Out" strained through 1970s Canterbury progressive noodling, garage psych organ, "Dark Side of the Moon" styled backing wails, and a funky undertow. The kitchen sink is revisited on the album's hidden track - a punk-rock meets rockabilly extension of the title track. More straight ahead, and most satisfying, are the acoustic narrative "These Years" and the closing ballad "Let the Music Play."

Fans of Keen may very well enjoy this album - in part it lives up to the song quality for which he's most known. But given the hit-and-miss quality of the productions, it's hard to imagine this will be the album his fans grab from the shelf for a fix of Keen's music, and it's certainly not the album one would use to introduce the artist to friends.

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