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On 24 Nov 2003 08:02:03 GMT, Margo Schulter <[EMAIL PROTECTED]> wrote: [snip] Excellent post by Margo, as usual. >A madrigal like Monteverdi's _A un giro sol_ (Book IV, 1603) shows the >potentials of this kind of technique in the hands of a consummate master: >the word painting of the wind and the sea in the opening passages >contrasts with the later declamatory passages and use of expressive >dissonance. [snip] Monteverdi also wrote some great word-painting in operas. Consider his recitative "Tu se' morta" from _Orfeo_, with its word-painting of "abissi," "cielo," "sole," etc. An often-cited English-language example is Thomas Weelkes' _When Vesta was from Latmos Hill Descending_. There is evident word-painting in almost every line of text, with the final line - "Long live fair Oriana" - lasting almost as long, seemingly, as the entire rest of the madrigal. Michael If you would like to send a private email to me, please take out the TRASH, so to speak. Please do not email me something which you also posted.
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