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Michael Haslam wrote: > Peter T. Daniels <[EMAIL PROTECTED]> wrote: > > > > Same as "Taps" on trumpet vs. bugle. Pure intonation, not compromised to > > comport with a keyboard instrument or oboe or some such. > > What is the difference between the oboe and the horn wrt subtle > adjustment of the tuning of individual notes? The harmonic series is the > same whether played on a bugle, trumpet or alphorn. With respect, Michael, you are confusing two different things. The "harmonic series" is defined independent of any instrument which may or may not be able to play it (the frequencies of its component tones are related by the consecutive whole-number ratios 1:2:3:4:5 etc.) and, indeed as you say, this is always "the same". However, the *overtones* on each of the three instruments you name are not the same. Cylindrical-bore brass instruments tend to produce a harmonic overtone series as described (though of course no actual instrument is dead cylindrical for a host of reasons, and even if such an instrument were to be built, there are complications regarding end-effect, amongst other things). According to the degree of conicity, the overtones of a conical-bore instruments progressively deviate from the harmonic series, and both the bugle and the alphorn are notoriously "out of tune", though skilled players can force some of the pitches into conformity with the harmonic series. (Peter is also on somewhat shaky ground for the same reason.) -- Jerry Kohl <[EMAIL PROTECTED]> "Légpárnás hajóm tele van angolnákkal."
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