
www.Usenet.com
| <-- __Chronological__ --> | <-- __Thread__ --> |
(posted to alt.books.dean-koontz of all places) I have to concur with you Chris... I just saw it Saturday night instead of going to Loy Kra-Thong fesivals here in Bangkok. Now I wish I'd spent my time lighting a candle and incense and floating it down the Chao Phraya river for good luck instead of wasting money on that lame film. Let's backtrack... The Matrix was the most fantastic, original, fresh movie idea to hit the screens in 1999, without doubt. It left the door open for another, but it didn't *require* it to be complete. They ended the first one the way you'd expect a comic book to end... you know there'll be another comic book but you don't need to go get it to understand this one. Sit back and burp, you digested a whole story complete with all the trimmings... suspense, action, some drama for pacing... nice movie. Then they decide to jump on the bandwagon the way most all Hollywood film industry people do on most things... (Brad Pitt is about to appear in "TROY"... visiting the story of Helen, no doubt.... following a couple years after we got our first Roman gladiator picture in decades... not counting "Caligula") And by bandwagon here I mean not in the theme of the movie, but copying the filming schedule of the "Lord Of The Rings" franchise and shooting the next 2 sequels in succession at one time. Bad idea. Peter Jackson was right to do it for LOTR if only to maintain continuity across 3 very epic films. But to get lazy and make 2 Matrix sequels at once was nonsense. I think both films suffered as a result. Matrix: Reloaded was passable. It was strong on cool new characters... the two ghostie twins... the Architecht... the Frenchman and his wife...all the people of Zion, the council, and of course the love triangle involving Morpheus. (Didn't anyone ever tell the Wachowski brothers that religious zealots don't usually maintain healthy relationships with women?) and the action sequences for film #2 were stepped up accordingly. (3 years to work it out) The freeway chase was rippin. Okay so maybe Neo flying in at the last microsecond was a little cheesy, but hey... the guy was in Nepal. I could smell it coming when Neo met the Architecht. He's gonna cloud up the story I just know it. Sure enough. So now we're at this turd, I mean, third installment. What Chris said about the Neo vs Smith fight was right on the money. I said aloud in the theater, "Okay we get it, enough already." It was the 2nd or 3rd kung fu payoff scene for all the martial arts nuts, but they obscured all the best moves with a blinding sheet of rain for starters, and finding a cheat to build Smith up to Neo's level. Well fuck. He spent the last 2 films getting better than Smith. And if Smith is a logical program... albeit one that has run amok, he would still be guided by logic over emotion. Logic would dictate that if your aim is to defeat a foe and you've copied yourself a zillion times, you sic at least a few hundred thousand at the guy, not go head to head with the Kwisatz Hadderach of Sydney Australia all by your lonesome. Stupid. Oh and Neo kissing Trinity every 30 minutes? We got it. You two like each other a lot. So what did all the fighting and dying get us? What did mankind... the humans in Zion, what did they gain? A cease fire. You know how many cease fires they've had in Israel? No destruction of the machine world ... machine city... they didn't even make a serious dent in the sentinel population. Neo copped a deal with the machines and was at all times, totally under their control. Not very God-like if you ask me. The machine "god" or spokesmodel or whatever he was... looked like Oz from 1938 to me... he basically decided to tolerate humans if Neo did a little wet work for him. No defeat means no victory for the bipeds. The machines were minutes away from soundly beating their way through Zion's every defense, and Neo manages once again to whuppp Smith once and for all. (Or was this 3rd and for all?) I think Hugo Weaving is probably a nice guy and he has a killer delivery pattern for his Smith character... and he was Elrond, so his stock is waaaaaaaaaaaaaaay up in Hollywood... and I think they used him too much, allowing audience praise for his first appearance guide the story line. I bet they had no plans for Smith past the hallway until the boxoffice sold like crazy and Weaving appeared as an elf in another major film and suddenly a thug is now a star. A draw. People wanted to see more of the agent who talks strangely, than of the hero Neo. Film ends... we got Oracle and her bodyguard and a little stray girl proggie who was written in Calcutta, sitting in a park looking at a beautiful cityscape and sunset. MUST BE IN THE MATRIX. And all the humans from the Matrix are gone now, because they were all Smiths and we saw what happened to bad little Smiths. So it's just 4 very strange programs discussing things in a beautiful park... oh we got to see the grubby, underground, starving REAL humans celebrate for about 6 seconds, but when the party's over they're still in a world dominated by machines, living underground, and will probably never ever see that sunset the Oracle and friends are enjoying. Oh but the war's over now. Right. That was the point. Would you be satisfied with a cease fire? What if the machine leader changes its collective mind again and decides, "Nahh... fuck em." and wipes all the humans out now that they're probably trying to establish *trade* of some sort with the mechanical occupying force? "Much easier now... the dock's open, the holes are dug, the humans smile and wave at us now... Time to finish up." Bah... I'm sorry I went to #2 now, that's how bad #3 sucked. It throws suckiness back on Reloaded, which wasn't really all that bad in hindsight. dana
| <-- __Chronological__ --> | <-- __Thread__ --> |