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Khaled is the poster boy for the modern form of Algerian desert blues
known as Raï. Certainly he's been its most successful modern exponent,
the first to find success on the international stage. Born Khalidu Hajji
Brahimin Oran, the traditional center of Raï, he was attracted to music
from an early age, especially to Raï, which was seen at the time of the
music of outcasts, drunks, and prostitutes, although he also loved James
Brownand the Beatles. He taught himself to play guitar, bass, harmonica,
and accordion, releasing his debut disc, "Trigh Lycee," when he was just
14. Leaving home, he began on the peripatetic life of the musician,
performing frequently at clubs, parties, and weddings (the only places
where Raï was seen as an "acceptable" form of entertainment). It was in
the early '80s that Cheb (meaning "young") Khaled's fortunes changed,
when he met up with producer Rachid Baba Ahmed, who was revolutionizing
the Raï form by introducing Western electric instruments and studio
techniques. Together, they changed the face of the music. Khaled was the
right voice at the right time and the addition of drum machines,
synthesizers, and guitars took the music to a new generation, even though
much of it continued to be censored by the Algerian government, which
considered the style subversive. A number of those early tracks can be
found on Le Meilleur de Cheb Khaledon Blue Silver.
By 1986, Khaled (who'd now dropped the Cheb) had been forced to move to
Paris, as violence in Algeria claimed lives and he'd been threatened
several times (producer Ahmedwould, in fact, be murdered, as would
several Raï performers). Arriving with a reputation, he attempted to take
his music to a global level, although his real debut, Kutche, did him no
favors with its jazz-rock arrangements. He fared much better with 1992's
Khaled, with some tracks produced by Michael Brookand others by Don Was.
It yielded his first big hit, "Didi," and helped consolidate his
reputation as Raï's first superstar. That was firmly cemented the
following year with the Was-produced N'ssi N'ssi, which mixed funk, rock,
and an Egyptian orchestra behind Khaled's persuasive voice and winning
smile for a major commercial breakthrough in France, winning a European,
as well as North African, audience. In 1996, he hit again with Sahra,
whose first single, "Aïcha," written for his daughter, gave Khaled a
French number one hit. A mix of producers gave varying sounds, with
French hip-hoppers Akhenton & Imhotepproving the hardest on the track
"Oran Marseille" with its rapid-fire rap. There was even some reggae on
"Mektoubi," which merged relatively seamlessly with the North African
sound. While well-received critically, it sold little in the U.S.
however, unlike France, where the album became Khaled's biggest success.
Perhaps the moment that justified his title of King of Raï, however, came
in 1999, when he headlined the 1-2-3 Soleils concert in Paris (which led
to the album of the same name), over Rachid Tahaand Faudel. It was the
biggest Algerian show ever staged in France and left no doubt that Khaled
remained Raï's hottest attraction. 2000 brought Kenzaand a change of
producer, as former prog rocker Steve Hillagehelped bring a more organic
feel to the proceedings. A smash in Europe, once again it did little
business in the U.S.
1989 Kutche
1991 Khaled
1993 N'ssi N'ssi
1994 En Algerie, Vol. 2
1994 En Algerie, Vol. 1
1994 Hada Raykoum
1994 Young Khaled
1996 Sahra
1998 Together
2000 Hafla [live]
2000 Monstres Sacres du Rai
2000 Aiysha
2000 Kenza
2000 1,2,3 Soleils
2000 Elle Ne Peut Pas Vivre Sans Lui!
2001 El Lil Ou Nour
2001 Ya Taleb
? Fuir, Mais Ou?
? Moule El Kouchi
? Khaled Hafla
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