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On 3 Dec 2003 16:33:14 GMT, "Ban" <[EMAIL PROTECTED]> wrote: >Drew Eckhardt wrote: >|| In article <[EMAIL PROTECTED]>, Ban >|| <[EMAIL PROTECTED]> wrote: >||| Wayne, what is it that you want to improve with the EQ? >||| My experience is you rather need better speakers, don't you? >||| Or maybe you need some bass traps or other acoustic modification in >||| your listening room. Equalizers usually do not help. :-( >|| >|| They're a fine crutch for bad recordings and some listening >|| environment problems. >|| >|| A tilt control makes rock music recordings by tone-deaf engineers >|| listenable on the neutral speakers you bought so that good >|| recordings shine. > >How can a deaf engineer make a good recording that "shines"? Seems to be a >contradiction in terms. What is a tilt control, BTW? Many rock engineers have sever upper-range hearing loss, and their control room monitors are EQ'd up the kazoo with a rising treble response (hence 'tilt'). A normal schoolchild introduced to such a control room will hear a *horrifically* screechy sound, but the balance may be perfectly neutral once the recording is replayed on a truly neutral home system. Note that this does depend on the engineer *knowing* what his hearing is like.................. >|| Loudness contours following the Fletcher-Munson curves restore a >|| decent tonal balance when you're forced to listen at lower levels. >|| >So you want to fiddle the 20 sliders he is descibing each time you turn the >volume down? Those controls only survive a maximum of a hundred operations >before they start crackling. :-( Not if you use Penny & Giles faders, they don't! >|| A Linkwitz Transform will let you have the poles and Q you want. >|| > >Really with the graphical EQ you can do that? I have an active system and I >do it, but with passive speakers? Introduce the EQ into a tape loop. >|| A shelving high pass filter can cut frequencies below a ported >|| enclosures tune that could bottom the woofer(s), or eliminate the >|| boom from room gain. >|| >You cannot eliminate boom from room gain, unless you have no bass at all. >Resonances and standing waves can only be eliminated with acoustical means >like the ones mentioned in my first post. Well, that's true, but EQ can help. >|| Notch filters can eliminate peaks. >|| >That was my mentioning better speakers. If you have peaks in the >transmission curve, it is because of resonances in the speaker cone. Or the room............... > You can >then put specific filters (tank LC) in parallel or in series with the single >chassis, but an overall graphic EQ with fixed Qs? Parametric equalisers have variable Q and centre frtequencies, they can tune out response peaks and dips quite well. >Please note, my answer was to the OP about the "high-end" 10 slider graphic >EQ. It was also considering his apparent level of understanding. I know >there is a hell of apps. where *appropriate* EQs *have* to be used, but this >is not at the consumer level. OK, but parametrics are readily available on the consumer and semi-pro markets. -- Stewart Pinkerton | Music is Art - Audio is Engineering
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