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The message <[EMAIL PROTECTED]> from [EMAIL PROTECTED] (Justin Bacon) contains these words: > > > >Surely it could just be that Elrond's opinion is 180 degrees away from > >Boromir's, and as events unfold is an inaccurate opinion? > Except that's an inversion of Elrond's character. It's an inverted line > transferred to an inverted character. At least in the film(s), Elrond *has* a character... In the books, he comes across to me as aloof and detached and (in the nicest possible way) inhuman - which is absolutely right in the context of what Tolkien was seeking to achieve. Elrond is living history - more than that, living *mythology* - in a dwindling world rapidly forgetting its past glories. What Tolkien was seeking to, and did, achieve is magnificent. It's also unfilmable. It'd be like trying to film the Bible and the Koran and the Zend Avesta. What impresses me about Jackson's work is not how much he cut or changed, but how much he managed to keep, and still produce outstanding cinema.
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