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On Wed, 3 Dec 2003 08:18:36 +0000, [EMAIL PROTECTED] (Catja Pafort) wrote: >Patricia wrote: > ><lots of interesting stuff snipped> > >[Stephen] /snip/ >> Or Inner Critic, if you prefer. The >> little voice that chants "This is crap, this sucks, who told you you could >> write" when you look at the day's (or the last few minute's) production, >> that says "That comma shouldn't go there, that word isn't right, there's a >> better way to put this, change that, fix that, get it right and perfect >> before you move on" with every additional sentence you type. > >What about the inner cheerleader? "You're writing so well, you've got so >much experience now, you're easily as good as all those published >writers, sure, it needs a little fiddling, but you're really onto a good >thing this time." > >How often do you come across *him*? They're rare, cherish them.... I've got another good one: an Inner Rafsc that says things like, "WHEN do you need to worry about this? Probably on revision. Or layer it in later. -- Don't assume that's a problem till some beta readers complain. -- Make a note and go on. -- Beware endless roling revisions." Etc. >My internal editor, OTOH, just had a little learning to do herself; and >I'm rather glad now when she chirps in with 'keep that in mind, it'll >become important again later' or 'of course that won't work, you're >looking for the wrong solution.' When she complains, I stop, make a note >with the chapter in it as a clipping file (with titles like 'note on >trade from Melkin in IV, III') and go on with the story. Overall, she >can see structures better than I do, so I let her. I like having an inner editor for "Does this scene seem pointless or has it developed a point yet?" But with the recent talk about fiction vs non-fiction techniques, suddenly she found a new setting: "Pre-zero accumulation of notes for a scene, with at least one point in there somewhere, which are in more or less the right order and can be further shuffled and sharpened later." R.L. -- RL at houseboatonthestyx
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