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> I have a much better idea for a method to identify illegal prints. The > industry should create an identifiable stock auto horn honk that can be > used in the effects track of a film. Each print would have the honk > appear at slightly different place in a given reel. Since costume dramas > are no longer viewed as money makers, the horn sound would be > appropriate for almost every film made nowadays. In those instances > where an identification is needed for the rare costume drama, then a > specific blood curdling scream of pain could be mixed into a battle > scene. Other sounds might be deemed necessary for certain story types, > but no more than a handful of sound effects would need to be created. A > simple digital filter could identify the tell-tale sound and compare its > location with a database of prints. This would provide a much better > method of identification for those camcorder dupes as they record sound > better than they do picture. Nah, sound effects are too easy to fake. Every film should be required to have a big dance number. And the choreography could be slightly different for each print. Lincoln
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