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How much of an issue is this??
I've never had any problems recording audio onto the 900...AFAIK!
On the other hand...the following mesage was posted on my local news group, could it be related somehow??
Posted by Prefer not to...for obvious reasons <mailto:[EMAIL PROTECTED]> on December 01, 2003 at 20:17:32:
Hey all you fellow CICA members! I am a soundman and have a problem and I need your input.
I have a client who is shooting on a Sony PD150. We went out to shoot an interview and it all sounded fine to me (wired Tram to Shure FP32, two lines to camera, monitoring 100% of the time from the camera return) but the client calls the next day asking for a refund because the audio is "dropping out" and "unusable".
He claims it sounds like there was a loose connection.
Can this be if I didn't hear drop outs or loose connections on the return line?
Is it possible that the monitoring of the PD150 is _after_ the pre-amps but _before_ the recording circutry?
If so, could there have been a problem with the camera that I wouldn't have been unaware of?
Has anyone experienced problems like this?
What can I tell this guy, short of "Well, it sounded fine to me." which sounds pretty lame...
John Gilman wrote:
On Wed, 03 Dec 2003 02:44:59 GMT, Wolf <[EMAIL PROTECTED]> wrote:
Major Bug in F900: Intermittents !!Wolf
We have had several trustworthy reports by fall of 2003 of short interrupts in sound from the F900 recorded tapes on Playback. This interrupted sound is occasional and random. The cause has been a mystery, no one has been able to figure it out, but it happens on all the TV shows all the time, one camera here and there, not all at one time, some cameras and some channels more than others. This fault requires a double system record setup. --- SONY is not listening!!!!
This is a long standing problem on the Panavision cameras as well. The best information I have been able to dig up is that there seems to be some sort of dependency on the quality of the power feeding the cameras and the DIT rack (in the Panavision situation). There have been reports that putting power conditioners on the tech power sometimes helps the situation. Not always, however. I'm currently working one show that has the problem to such an extent that no attempt is made to use the sound recorded on the HD masters for any purpose. My other show (on a different lot) has no problem whatsoever. Go figure. Panavision and Sony have been trying to isolate the cause for a long time and, so far, have not succeeded. From the sound mixer's POV, double system is the right answer in any event. Greater likelihood that what the mixer intended to record actually got recorded.
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