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In <[EMAIL PROTECTED]> [EMAIL PROTECTED] (monterone) writes: >Except for the breathtaking "bonfire" sequence, I didn't enjoy _Cold >Water_ when I saw it years ago; the camera is like a bug crawling up, >down and across the characters' clothing, making for oppressive >viewing. I almost always dislike that sort of handheld camera movement. It was a fad for a while in TV series and commercials, and it annoyed me. However, Assayas does it about as well as anyone, and in at least a few scenes his camera evokes the sense of intimacy and honesty that all the other wobbly cameras try for and fail to achieve. Paul
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