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"Michael Wood" <[EMAIL PROTECTED]> wrote in message news:<[EMAIL PROTECTED]>... > "Johanna Draper Carlson" <[EMAIL PROTECTED]> wrote in > message news:[EMAIL PROTECTED] > > "Luke Hodgson" <[EMAIL PROTECTED]> wrote: > > > >[snip]! > > > > That's a really interesting observation. Let's bear in mind that these > > are also blockbuster events that feature superstar creators, and they're > > marketed and positioned outside the usual flow of the universes. > > > > Your question, if posed in terms of regular series, about economic > > success or failure based on use of continuity, is a tough one to answer > > without doing a widespread survey. > > > > The most obvious example is the Ultimates. Huge sellers, anti-continuity > > (in my opinion, but would others agree?). Loeb and Lee's BATMAN also had > > continuity contradictions, but topped the charts consistently. What's > > the most successful pro-con story? Opinions? > > > > Ultimates is not anti-continuity - just a new one. It is still internally > consistent from issue to issue - and that is really the point - consistency > not absolute continuity. I really like to know where people get the idea that the ultimate line is anti-continuity. One needs look no further than Ultimate War (*heavily* dependant on Ultimate X-men continuity) or the recent X-men/Spiderman crossovers to realize that it is NOT anti-continuity.
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