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On 3 Dec 2003 19:16:05 GMT, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > For Beren and Luthien a lot of the backstory really is not that > relevant. There is a bad guy in the north, and he has a treasure > that he stole from the Elves. That is all you really need to > know about Morgoth and the Silmarills. Beren is human, Luthien > is an elf, and Thingol is a jealous and protective father with an > eye for nice jewelry. That is all very straightforward. Melian > being a Maia is not really that important, and would not really > need any explanation anyway. Sauron is just one of the bad guys, > the sons of Feanor are just some jerks (explaining their connection > to the Silmarills may be more trouble than its worth), and Finrod > is a good guy indebted to Beren's father. Lots of action and > magic, giant wolves, a central love story, prominent female characters, > and an ultimately happy ending : Beren and Luthien are alive, > they have the Silmaril, and everybody is happy. I agree completely that Beren and Luthien is by far the most easily filmed, and constitutes the most self-contained portion of the Silmarillion. Still, I think one could do the Turin saga. It doesn't rely much more heavily on the backstory than does Beren and Luthien. Turin is also a good modern anti-hero. The only big issue with the Turin saga is the incest, which might make some audiences go "Woh!". I don't know if modern audiences could get past that, though it was really no fault of Hurin's children. But the more I think about it, the more I think the Akkabeleth, or at least the portion from Ar-Pharazon's rise to power to the Last Alliance, might itself make a very good film. Unlike LotR, the Akkabeleth is more of an brief historical survey than an out-and-out narrative. Thus, as long as the script-writers and director didn't muck with the basic outline, they'd have a lot more freedom. Plus it would tie in very well with the LotR films, filling out the backstory. -- Aaron Clausen tao_of_cow/\alberni.net (replace /\ with @)
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