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[EMAIL PROTECTED] (AstroNerdBoy) wrote in message news:<[EMAIL PROTECTED]>... > "Lord Craxton" <[EMAIL PROTECTED]> wrote in message news:<[EMAIL PROTECTED]>... > > "8-Bit Star" <[EMAIL PROTECTED]> wrote in message > > news:[EMAIL PROTECTED] > > > "Lord Craxton" <[EMAIL PROTECTED]> wrote in message > news:<[EMAIL PROTECTED]>... > > > > The purists are breeding again. >_< A bunch of them are trying to > attract > > > > mates by squawking over the fast-forward in DBGT, and another bunch are > > > > disparging Armitage III as a "dub-title". There also seem to be a group > of > > > > disenfranchused Omega males squawking over CCS. Hadn't we had enough of > this > > > > BS the last time? And the time before that? And the time before that? > None > > > > of these retards ever get any respect, you'd think they'd have gotten > the > > > > point by now... > > > > > > > > Hmm. Okay, decision time... do we just go on vacation until they quiet > down, > > > > or grab our shotguns and our silly vest/hat combos and go huntin'? ^_^ > > > > > > > > -Lord Craxton > > > > > > I'd rather hear why you seem to despise those damn purists so much. I > mean, > > > there ARE times where they have a legitimate point (any criticism directed > > > at 4Kids Entertainment, for example). > > > > > > What, did a purist dingo eat your baby? > > > > Kinda. I guess this is as good a place as any to tell the story... > > > <snipped only for space> > > And at some point I had an epiphany. Here I was, a fan of a series- a story- > > whose guiding principles were what? Love, forgiveness, joy, friendship. Then > > I looked at the newsgroup, and what did I see there? Anger, hatred, vicious > > jerimiads, relentless feuding. And I thought to myself, "If these people > > value this story so much, why do they not honor it's principles? And if the > > principles are not important, what are they fighting over?" I turned it over > > and over in my mind, and there was no resolution, no way the weave together > > these two dissociated ideas within a consistent worldview. It didn't make > > sense. > > > > At this point, you turned it into a "religious" item rather than a > discussion over topics ranging from changing an artists original work > to dumbing down a story so American children won't be forced to think > (and so more toys can be sold) to whatever (I wasn't there so I'm only > guessing what the arguements were. Now, a case can EASILY be made > that the "puritst" also had made a religious item out of this. But > you did as well. That's not a slam, that's just how I see things from > your post. > > > Of course it did make sense, and I figured it out eventually. *They didn't > > care about the series*. The editing, however detrimental to the story it may > > or may not have been, was just an excuse to make stratas out of the fandom- > > making sure that the purists were in the top strata. For years anime had > > been underground, and it's followers had cultivated a sense of personal > > pride about their knowledge of something so beautiful that the common man > > knew nothing about. But now the secret was out, and these people were no > > longer special. They no longer could claim to be the "elite", the > > "hardcore". What good is knowing something secret if any fool with an > > internet connection and a desire to learn can find it out? So they tried to > > reclaim their lost glory by inventing new kinds of eliteness. If the story > > was private, there was no problem. But if the story became public, they > > could no longer glorify themselves with their knowledge. They needed to find > > a "better", a more "complete" version of the story to exalt themselves with. > > > > Well, all groups have this. Remember "alternative" music? That was > "underground" and "out of the mainstream". It was a way for kids to > say, "I'm different". Yet the so-called "alternative" music went > mainstream. It became the pop music that it had bashed. Suddenly, > the early ones into that music scene because it wasn't in the > mainstream found themselves no longer in a unique clique. I had some > co-workers back then who were just so pissed that their music artform > had been so corrupted by corporations and they also talked of artists > selling out. > > So I can understand that the ones who saw anime by trading VHS tapes > back in the day would be upset at seeing "Sailor Moon" domesticated. > If the series was so good that an American company wanted to release > it in America, why change it? Obviously at one point, you saw this > too based on earlier statements you made. > > But not everyone in the "purist" camp have the idea of being elite. > I'm sure a number were just as you state. But I'm also sure that a > number saw things somewhat differently. For example, should a classic > work of literature be domesticated? I'm not talking about things like > "West Side Story" (the movie re-make of "Romeo and Juliet"). But > should "Romeo and Juliet" by William Shakespear be domesticated in > print form and sold as "Romeo and Juliet"? Or maybe the main > characters be renamed "Robert and Julie" because people might be > confused over such archaich names like "Romeo" or "Juliet". This may > seem silly, but back in the day, this is what English distribution > companies did. And I can appreciate people not liking these changes > and I can appreciate their passion for the issue. The passion may be > misplaced (certainly I know this from my own expericences), but > sometimes passions override everything. > > > I realised that this was a poor reason to spread hatred around an entire > > newsgroup. But by that point, and probably from the beginning, I was but a > > breeze against the maelstrom. The newsgroup was a firetrap- day and night, > > threads raged, spewing hatred about DiC, about dubs, about dubbers, about > > dubbies. Newbies came, and most of them knew only the dub. They were marked > > as dubbies, and were flamed, and they either conformed and joined the > > purists, or got tired of the rage and quickly left. Eventually, I left too. > > > > Well, and that was a good thing on your part. There are firestorms > that blow up here frequently. Sometimes I'll pop into a conversation > but often times after I've said my mind, I just leave the thread and > almost never return. But I can very much appreciate your anger or > irritation at the flames, name-calling, abuse, etc. on the part of > either camp. There's never any call for that kind of behavior. Even > when I'm in a discussion where I disagree with someone, I try to be > civil, even if the person I'm responded to has just been very ugly > with me. It isn't easy, especially when the person who has slammed > you is an elitist (even if they don't think they are). With an > elitist, everyone else is wrong, stupid, and beneath contempt. Once > in a blue moon, you might get one to conceed a minor point, but not > often. They take great delight in correcting even the tiniest > mistakes perceived, even though everyone(1) knows what you were > talking about. > > (1)"*Everyone* will not understand what you are talking about. Why > don't you learn to write before you post your drivel here." > > > I wound up here. And little by little, I see the same thing happening again- > > with YuGiOh, with Armitage, and with Dragonball. Can you understand why I'm > > so much against it? Why I don't want what happened in AFSM to happen again? > > This isn't merely some fiction of my imagination- you can go to AFSM today > > and see for yourself what unrestrained purism has wrought. Before you > > condemn me for expressing my distaste, ask yourself: do you want RAAM to > > become the same? > > > > -Lord Craxton > > The reason for my response was with "Armitage". Since I was the one > who started a thread about the movie "Poly-Matrix" and "Dual-Matrix", > I figure this is directed at me (correct me if I'm wrong). Was my > dislike for "Poly-Matrix" a qualification for a "purist"? > > Some will label me a "purist" because I am pretty passionate about > honorifics *in the subtitles*. I think they should be in the > subtitles. I don't argue about their inclusion in English dubs > because I do understand the anime market. The overwhelming majority > of anime fans prefer to watch anime in English, period. It doesn't > matter to them if the Japanese version (with accurate subtitles) is > 100 times better than the English and increased your chances of having > an orgasm on the spot (well, that's pushing it). The fact of the > matter is that most people *don't* want to read subtitles. Certainly > I can understand and appreciate this. That's my primary motivation > for learning Japanese (that and a planned vacation to Japan in 2005). > I want to be able to watch without reading. :-D > > I rented "Armitage III" first and loved it so much that I immediately > went out and ordered the DVD for my collection. I rented "Armitage > III Poly-Matrix" thinking it was either a sequel to the OAV or a > remake (like the movie "Escaflowne" was to the TV series). OK, this > was a remake, but I guess what offended me was that it was a cheap > remake. Rather than re-animate a whole new movie, they took a ton of > animation from the original OAV. So my irritation wasn't from a > "purist" standpoint, but rather a cynical one. I just saw it as a > cheaper way to make a movie and attempt to score some quick cash by > getting Kiefer Sutherland & Elizabeth Berkley on the project. Had > they not used any of the OAV animation, but simply redone this from > scratch, I wouldn't have said anything other than write a review. > > Anyway, while I may not agree with everyone who post here, they do > have a right to post here. The only posts I absolutely can't stand > are the ones that go like "how tight is Asuka's pussy?" or "how many > men can Sasami-chan take at one time?" *rolls eyes* Class act. And good call with the above, now Craxton mentioned that the "purists" don't love a series but are just trying to be elitist. Maybe, I never met a purist in person but tell me is a series still the same series if it had ALL the following happen to it: 1) title change 2) significant episode drops 3) significant cuts to footage, not just for BS&P purposes but to alter content to suit a different demographic 4) significant episode re-arrangement from a serial series 5) significant dialogue changes to alter content 6) redone opening and closing
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