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In rec.antiques "C." <[EMAIL PROTECTED]> wrote: > >"Ronnie McKinley" <[EMAIL PROTECTED]> wrote in message >news:[EMAIL PROTECTED] >> In rec.antiques "C." <[EMAIL PROTECTED]> wrote: > >> >The time of George the Third was also the time of Flood, and Gratton, >and the Union Act of 1800. Maybe these roses and oak leaves mean something >> >different? Maybe they just look pretty together. >> > >> >> Just look pretty I think :) Act of Union motifs would generally have >> been reflected in the dial paintings and would have included th >e rose, thistle and shamrock. > >Have you, in your experience, come across the shamrock as part of the >ornamentation very often? Not on too many longcased clocks :) Having an interest in late 18th century Anglo-Irish glass I've had a few examples of 'Act of the Union' glass. But the shamrock does pop up from time to time on its own on most everything ... well on some things. Here's another interest, 'Killarney work' - at one time I used to buy and sell a lot of this but is now becoming very hard to buy. http://www.georgestacpooleantiques.com/killarneywork/ http://www.morganodriscoll.com/killarney_wood.htm (George is a great guy and a knowledgeable dealer ... albeit a bit of a pounce :-) ) >I have usually been able to spot provincial pieces three ways: Proportion, >material, and detail. None of those would have helped me in this case. No I think they would have. I believe if you had the opportunity to see the oval dial and the brass faced 'Irish Chippendale' side by side (in real life) it would be obvious. Whilst this oval dial clock does have good proportions and reasonable build, when compared to the Dublin clock/s it's a bit of a joke. Look at the Irish Chippendale clock pix again. Note the camera angle? That's not me crouching down for fun, but the clock towering above me and I may add it had a beautiful long slim proportioned trunk to match, the trunk door seemed to go on for ever. Most all Irish clocks (of the period) outside of Dublin would be short and squat in comparison, even a Belfast clock compared to a Dublin clock looks like a provincial piece. And when we start looking at the great London clocks EVERYTHING looks provincial :) >Is the maker well known to you? Hopefully he has other things out there to >find. > I wouldn't say well known, but a recorded maker. For your interest this is the clock's town of origin. http://website.lineone.net/~w1ll0w/Portaferry/default.html (some nice doorways :) ) http://freespace.virgin.net/mp.hearth/P'ferry.html (short history) >> >> Out of interest here are a few typical Ulster arch painted dials. > >The Belfast faces align perfectly with the confines of the hood. The Dromore >example has the face clipped, but equally clipped on four sides. However, >the Lurgan example appears clipped only on one side. Do you think this was >by design, or otherwise? None of these clocks were properly set up. When bought and transported the works are always removed from the case. In these pix the movement was just plopped carelessly back onto the seat-board for a quick photo record. Mostly to capture the painted dial not so much the case itself. Cases sometimes are rather nondescript and not worth even a frame. >.If you would allow me, I would like to capture your images so I could view them in >Photoshop and enjoy them even more, and reference them for the future. > No problem. I'll leave them there for a day or two. I've added this one, maybe a better shot of the Dublin (brass-face) clock. http://www.glenbourne-antiques.fsnet.co.uk/irish.jpg and btw I've loads more ;>)) >Thank you again for such a good study on something I know so little about. No ... thank YOU for the interest shown. And I do appreciate you working through all this especially with my deplorable spelling and unforgivable typos. I would have expected more comment on the spelling-bees than on the actual content of the post, but then IMO that speaks volumes. Not in your case, of course ;> -- Ronnie
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