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[EMAIL PROTECTED] wrote... > > Hi, > > I'm trying to learn Stevie Ray Vaughan's 'Pride & Joy'. I have the > tablature and I've hit a problem.... From the fifth bar onwards he > plays a walking bass line on the beat but with a quick dampened > 'strum' on the off-beat, creating a 'un-cha, un-cha, un-cha, un-cha' > feel. > > The tab I have sounds right, compared to a video of him playing it, > but this is what it says to do..... > > -----x-----x-----x-----x--|-----x-----x-----x--2--0--| > -----x-----x-----x-----x--|-----x-----x-----x--2--0--| > -----x-----x-----x-----x--|-----x-----x-----x--2--0h-| > -----------x--------------|--2--------x--------------| > -----------x--2-----4-----|-----------x--2-----------| > --0-----3h-4--------------|--------3h-4--------------| > > ^ ^ > | | > *** *** > > HOW THE HELL DO YOU MANAGE THAT !!! I can't work out how on earth > you're supposed to hit the G (3rd fret - 6th string), then hammer it > on to the Ab *WHILST* simultaneously raking the remaining (damped!) > strings. Is it easier if you slide up from the G to the Ab with the same finger (index)? (Disclaimer: I don't know the first thing about playing "Pride and Joy," or anything else by SRV.) Good luck. If it works for you the way I've suggested, you've learned what I think is an important lesson about tab.
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