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I don't understand what the fear of progress is about. I'm not advocating the elimination of period playing and research. Why is it such a threat to experiment with new instruments that try to capture the capabilities of both period and current instruments? It's not like I want all period performers thrown in jail or something.
-- Blessed Cecilia, appear in visions To all musicians, appear and inspire: Translated Daughter, come down and startle Composing mortals with immortal fire.
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