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>I don't think Otello's been lucky at al > Serafin has Rysanek, who sounds like Otello's great-aunt (Serafin himself sounds a bit past it) I like Rysanek but agree about Serafin. I also find the orchestral playing surprisingly unpolished. But the whole thing is too tame. >Solti I is >tamely conducted, Price makes gorgeous sounds but never sounds quite right, >Cossutta is coarse-toned, Bacquier past it (if interesting at times) Solti positively races through the score! I agree about all the singers. There's even a passage in the last act where Cossutta and Solti are out of phase by about a measure for about four bars. Don't know how that got past everybody at the recording sessions. -david gable
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