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"William Quentin (bloom)" <[EMAIL PROTECTED]> wrote in message > > I don't have an aversion to historical recordings, but for whatever > reason I tend to stay away from recordings of operas before 1940. These are in fact the best recordings. I wonder if anyone can find an opera which has a post 1940s recording that is superior to its best pre 1940s recording. If you need another vote for Elie Cohen, Thill and Vallin, you have my vote here. I > can handle recital discs and recordings of shorter pieces, but the > idea of listening to complete operas in antique sound is a bit > daunting to me. So, I guess my question is, how is the sound on the > Naxos transfer? Also, do you have an opinion on the Colin Davis > recording with Frederica Von Stade and Jose Carreras? > > The Plasson recording you mention also sounds very interesting. Do > you happen to know when it was made? > > > Also, does anyone have any thoughts on the opera > >> itself? > > > >It's all you can expect from a 19th century opera. Exciting, beautiful > >melodies and many emotional outbursts which are never cheap or vulgar. > >Massenet's best opera IMO. > > > > > > 19th century opera being one of my very favorite things, it sounds > like I absolutely must hear it! > > >I'm unfamiliar with Massenet, and so don't really know what > >> to expect. Finally, is the opera's libretto faithful to Goethe? > > > > > >Well, Goethe probably would be surprised to see Werther dying in Charlotte's > >arms .... > > > >Benjo Maso > > > > Hmm, maybe I don't need to hear it after all. That almost sounds as > bad as Gounoud completely ignoring Part Two of Faust, and turning Part > One into the Tragedy of Gretchen. ;-) > > Seriously, I still plan to buy a recording of Werther, but I have to > admit my zeal has been a bit tempered. :-) > > -Billy
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