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In article <[EMAIL PROTECTED]>, Peter T. Daniels <[EMAIL PROTECTED]> writes > >Isn't it nice that you have Michael telling us that that interesting >information was irrelevant? Irrelevant to whom? Clearly I have two things in common with MT, even if we are at opposite ends of the spectrum of horn players: since he actually raised the question with Pears, he is as interested as I am in what notes to play, given notation that is ambiguous, and whether the composer cares about the different choices. Some horn players consider that Brain's choice, in Britten's presence, wraps the matter up; some horn players, possibly not knowing the tradition but more likely deciding to strike out on their own path, take a different interpretation. -- Ken Moore [EMAIL PROTECTED] pg composition student, University of Reading
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