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In article <[EMAIL PROTECTED]>, Jerry Kohl <[EMAIL PROTECTED]> wrote: > 'ok, well, try to ignore that and see what he's doing with the pitches'. > > Now this is a perfect example of what I'm talking about. I presume Tangerine > Dream is/was a band, and from the context, I gather they used synthesizers of > some sort. But I have no conception ofwhat this sound is, so I suppose I am > untainted--or rather, unembarrassed by hearing a timbre that, for others, has > associations of ... what? cheesyness? What is it that has caused synthesizers > to "date" so rapidly, whereas saxophones, violins, ondes Martenot, etc. have > lasting power? yes, exactly, cheesiness. well, something that has a brief, strong and very particular moment of fashionable prevalence has a greater likelihood of 'going out of fashion' than something which has such a broad set of connotations and reference that they don't seem linked to a particular moment or fashion. like a violin or oboe. and the ondes martenot clearly HAS gone out of fashion, but it's so far out it's in, if you know what i mean! I'm sure Stockhausen used certain sounds because they suit him for a variety of sophisticated reasons, so I know my feelings are irrelevent to his way of thinking. unfortunately i don't live in a cultural vacuum and i fall prey to these unintended connotations. > Well, he *has* used electric guitar in at least two pieces: Gruppen and Carré, > but this seems to have caused no ripple of controversy. ' well, true, but the guitar hardly dominates those pieces. actually i'm sure he could write a terrific electric guitar piece if he wanted to, but my sense is that he avoids it precisely to be 'outside of fashion' which was what i was driving at. > > > and he should apply that > > reasoning to synthesizers, especially common commercially produced ones. > > > > >Bohor makes a lot of noise, but don't try to pretend it has the > > >depth or complexity of anything Stockhausen has produced in the medium > > > > but it's got a surly, brutal gravity to it that makes it good art. > > Perhaps. I find it rather monotonous. well, okay, i admit it -- so do i!
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