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I have the recording on an LP of religious music. Corelli aings the Der Engel beautifully. Kenneth Lane www.WagnerOpera.com >Subject: Re: Franco Corelli, opera's most thrilling voice, dies at age 82 >Path: >lobby!ngtf-m01.news.aol.com!ngpeer.news.aol.com!feed1.newsreader.com!news reader.com!news-spur1.maxwell.syr.edu!news.maxwell.syr.edu!postnews1.googl e.com!not-for-mail >From: [EMAIL PROTECTED] (aesthete8) >Newsgroups: humanities.music.composers.wagner >Date: 23 Nov 2003 22:09:40 -0800 >Organization: http://groups.google.com >Lines: 45 >Message-ID: <[EMAIL PROTECTED]> >References: <[EMAIL PROTECTED]> >NNTP-Posting-Host: 128.171.51.128 >Content-Type: text/plain; charset=ISO-8859-1 >Content-Transfer-Encoding: 8bit >X-Trace: posting.google.com 1069654180 20534 127.0.0.1 (24 Nov 2003 06:09:40 >GMT) >X-Complaints-To: [EMAIL PROTECTED] >NNTP-Posting-Date: Mon, 24 Nov 2003 06:09:40 +0000 (UTC) > > > >I just thought I would mention that Corelli did record one Wagner >item: Der Engel from the Wesendonck Lieder: > >http://groups.yahoo.com/group/wesendoncklieder > >[EMAIL PROTECTED] (Ken B Lane) wrote in message >news:<[EMAIL PROTECTED]>... >> Franco Corelli, opera's most thrilling voice, dies at age 82 >> >> Ever since I heard his debut at the Met in 1961 (in Il Trovatore , debuting >> with Leontyne Price, Maestro Fausto Cleva at the helm), I, with legions of >the >> public, performers and audiences alike, attended his performances with the >> anticipation that no matter what else occurred that day, his singing would >cap >> the visceral excitement of the day. >> >> As no matinee idol ever before, the beauty of his singing voice combined >with >> his Adonis-handsome physique made even the warhorse popular operas come >alive >> with creditability and an intense romantic seething quality. >> >> Born August 8, 192, debuting in opera in the role of Don Jose and closing >his >> career in live opera appearances in the role of Rodolfo on August 10,1976 >at >> Torre del Lago. >> >> Corelli died in the afternoon of Wednesday, October 29th, after recently >> suffering a stroke.. >> >> No matter what role he undertook, Calaf, Ernani, Romeo, Cavaradossi, >Rodolfo, >> Pollione, or the Meyerbeer tenor heroique genre, he exceeded his >predecessors. >> >> I mentioned to him that Tristan could be one of his triumphs. For once a >> singer who could capture the essence of Wagner's romantic hero. With high >> notes that express the yearning of Tristan's tryst in Act 2 as well as the >> torment of the hero's 3rd act marathon of narration, hallucination and >finally >> tender "Isolde" greeting and demise. >> >> The total gestalt of his charisma, voice and appearance could have at last >made >> Wagner heldentenor roles totally what Wagner intended. >> >> Like Melchior, Caruso, Del Monaco, Tauber, Gigli, and Bjoerling, his >> accomplishments will live on in the memories of those who heard him live >and >> those whom recordings and videos vicariously relay the vibes of true vocal >> greatness. >> >> Kenneth Lane, heldentenor >> Director, The Festspielhaus of Boonton >> www.WagnerOpera.com > > > > > >
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